Abteilung 502 Oil Paint - Dark Mud (AKABT130)
Dark Mud is a weathering staple — the tone that puts believable filth under a vehicle or grounds a figure in a snowy scene. It's at its best layered under lighter mud colours, splashed and worked into the affected areas to simulate fresh, wet muck. Combine it with Light Mud or plaster and you get texture that actually looks like the real thing.
At a glance
- Abteilung 502 artist-grade oil paint for modellers
- Dark Mud — a deep base tone for mud and grime
- Low-oil formula for a more matt finish and strong pigment
- Long working time for splashes and streaking (pigments PR101, PW6)
Best for
- Fresh, wet mud under vehicles and running gear
- Layering beneath lighter mud tones for depth
Real mud is never one colour — this is the dark foundation the rest builds on.
The base tone for convincing mud. Build the texture up with the weathering range.
More Images
Abteilung 502 Oil Paint - Dark Mud (AKABT130)
Dark Mud is a weathering staple — the tone that puts believable filth under a vehicle or grounds a figure in a snowy scene. It's at its best layered under lighter mud colours, splashed and worked into the affected areas to simulate fresh, wet muck. Combine it with Light Mud or plaster and you get texture that actually looks like the real thing.
At a glance
- Abteilung 502 artist-grade oil paint for modellers
- Dark Mud — a deep base tone for mud and grime
- Low-oil formula for a more matt finish and strong pigment
- Long working time for splashes and streaking (pigments PR101, PW6)
Best for
- Fresh, wet mud under vehicles and running gear
- Layering beneath lighter mud tones for depth
Real mud is never one colour — this is the dark foundation the rest builds on.
The base tone for convincing mud. Build the texture up with the weathering range.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Dark Mud is a weathering staple — the tone that puts believable filth under a vehicle or grounds a figure in a snowy scene. It's at its best layered under lighter mud colours, splashed and worked into the affected areas to simulate fresh, wet muck. Combine it with Light Mud or plaster and you get texture that actually looks like the real thing.
At a glance
- Abteilung 502 artist-grade oil paint for modellers
- Dark Mud — a deep base tone for mud and grime
- Low-oil formula for a more matt finish and strong pigment
- Long working time for splashes and streaking (pigments PR101, PW6)
Best for
- Fresh, wet mud under vehicles and running gear
- Layering beneath lighter mud tones for depth
Real mud is never one colour — this is the dark foundation the rest builds on.
The base tone for convincing mud. Build the texture up with the weathering range.
